There came to her at her sister's no telegram in answer to her own: the rest of that day and the whole of the next elapsed without a word either from Owen or from his mother. She was free, however, to her infinite relief, from any direct dealing with suspense, and conscious, to her surprise, of nothing that could show her, or could show Maggie and her brother-in-law, that she was excited. Her excitement was composed of pulses as swift and fine as the revolutions of a spinning top: she supposed she was going round, but she went round so fast that she couldn't even feel herself move. Her emotion occupied some quarter of her soul that had closed its doors for the day and shut out even her own sense of it; she might perhaps have heard something if she had pressed her ear to a partition. Instead of that she sat with her patience in a cold, still chamber from which she could look out in quite another direction. This was to have achieved an equilibrium to which she couldn't have given a name: indifference, resignation, despair were the terms of a forgotten tongue. The time even seemed not long, for the stages of the journey were the items of Mrs. Gereth's surrender. The detail of that performance, which filled the scene, was what Fleda had now before her eyes. The part of her loss that she could think of was the reconstituted splendor of Poynton. It was the beauty she was most touched by that, in tons, she had lost—the beauty that, charged upon big wagons, had safely crept back to its home. But the loss was a gain to memory and love; it was to her too, at last, that, in condonation of her treachery, the old things had crept back. She greeted them with open arms; she thought of them hour after hour; they made a company with which solitude was warm and a picture that, at this crisis, overlaid poor Maggie's scant mahogany. It was really her obliterated passion that had revived, and with it an immense assent to Mrs. Gereth's early judgment of her. She too, she felt, was of the religion, and like any other of the passionately pious she could worship now even in the desert. Yes, it was all for her; far round as she had gone she had been strong enough: her love had gathered in the spoils. She wanted indeed no catalogue to count them over; the array of them, miles away, was complete; each piece, in its turn, was perfect to her; she could have drawn up a catalogue from memory. Thus again she lived with them, and she thought of them without a question of any personal right. That they might have been, that they might still be hers, that they were perhaps already another's, were ideas that had too little to say to her. They were nobody's at all—too proud, unlike base animals and humans, to be reducible to anything so narrow. It was Poynton that was theirs; they had simply recovered their own. The joy of that for them was the source of the strange peace in which the girl found herself floating. "Mine?" Fleda looked vague.!

"Surely it's the only proper thing for him to do." All this was exciting, but Fleda's spirit dropped, at bedtime, in the chamber embellished for her pleasure, where she found several of the objects that in her earlier room she had most admired. These had been reinforced by other pieces from other rooms, so that the quiet air of it was a harmony without a break, the finished picture of a maiden's bower. It was the sweetest Louis Seize, all assorted and combined—old chastened, figured, faded France. Fleda was impressed anew with her friend's genius for composition. She could say to herself that no girl in England, that night, went to rest with so picked a guard; but there was no joy for her in her privilege, no sleep even for the tired hours that made the place, in the embers of the fire and the winter dawn, look gray, somehow, and loveless. She couldn't care for such things when they came to her in such ways; there was a wrong about them all that turned them to ugliness. In the watches of the night she saw Poynton dishonored; she had cared for it as a happy whole, she reasoned, and the parts of it now around her seemed to suffer like chopped limbs. Before going to bed she had walked about with Mrs. Gereth and seen at whose expense the whole house had been furnished. At poor Owen's, from top to bottom—there wasn't a chair he hadn't sat upon. The maiden aunt had been exterminated—no trace of her to tell her tale. Fleda tried to think of some of the things at Poynton still unappropriated, but her memory was a blank about them, and in trying to focus the old combinations she saw again nothing but gaps and scars, a vacancy that gathered at moments into something worse. This concrete image was her greatest trouble, for it was Owen Gereth's face, his sad, strange eyes, fixed upon her now as they had never been. They stared at her out of the darkness, and their expression was more than she could bear: it seemed to say that he was in pain and that it was somehow her fault. He had looked to her to help him, and this was what her help had been. He had done her the honor to ask her to exert herself in his interest, confiding to her a task of difficulty, but of the highest delicacy. Hadn't that been exactly the sort of service she longed to render him? Well, her way of rendering it had been simply to betray him and hand him over to his enemy. Shame, pity, resentment oppressed her in turn; in the last of these feelings the others were quickly submerged. Mrs. Gereth had imprisoned her in that torment of taste; but it was clear to her for an hour at least that she might hate Mrs. Gereth.

"You had none," said Mrs. Gereth: "you were completely bewildered." As the days passed, however, it became plainer to Fleda that her only chance of success would be in lending herself to this low appearance. Then, moreover, at last, her nerves settling the question, the choice was simply imposed by the violence done to her taste—to whatever was left of that high principle, at least, after the free and reckless meeting, for months, of great drafts and appeals. It was all very well to try to evade discussion: Owen Gereth was looking to her for a struggle, and it wasn't a bit of a struggle to be disgusted and dumb. She was on too strange a footing—that of having presented an ultimatum and having had it torn up in her face. In such a case as that the envoy always departed; he never sat gaping and dawdling before the city. Mrs. Gereth, every morning, looked publicly into "The Morning Post," the only newspaper she received; and every morning she treated the blankness of that journal as fresh evidence that everything was "off." What did the Post exist for but to tell you your children were wretchedly married?—so that if such a source of misery was dry, what could you do but infer that for once you had miraculously escaped? She almost taunted Fleda with supineness in not getting something out of somebody—in the same breath indeed in which she drenched her with a kind of appreciation more onerous to the girl than blame. Mrs. Gereth herself had of course washed her hands of the matter; but Fleda knew people who knew Mona and would be sure to be in her confidence—inconceivable people who admired her and had the privilege of Waterbath. What was the use therefore of being the most natural and the easiest of letter-writers, if no sort of side-light—in some pretext for correspondence—was, by a brilliant creature, to be got out of such barbarians? Fleda was not only a brilliant creature, but she heard herself commended in these days for new and strange attractions; she figured suddenly, in the queer conversations of Ricks, as a distinguished, almost as a dangerous beauty. That retouching of her hair and dress in which her friend had impulsively indulged on a first glimpse of her secret was by implication very frequently repeated. She had the sense not only of being advertised and offered, but of being counseled and enlightened in ways that she scarcely understood—arts obscure even to a poor girl who had had, in good society and motherless poverty, to look straight at realities and fill out blanks. "What I mean to say is, if she's angry at your backing me up—what will you do then? She can't possibly like it, you know."